Sweet Poolside

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Alternatives: Synonyms: Suite Poolside, Paranormal Choujou Eyes Sawada
Japanese: スイートプールサイド
Author: Oshimi, Shuuzou
Type: Manga
Volumes: 1
Chapters: 8
Status: Finished
Publish: 2011-04-09 to 2011-07-09
Serialization: Bessatsu Shounen Magazine

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3.0
(5 Votes)
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Alternatives: Synonyms: Suite Poolside, Paranormal Choujou Eyes Sawada
Japanese: スイートプールサイド
Author: Oshimi, Shuuzou
Type: Manga
Volumes: 1
Chapters: 8
Status: Finished
Publish: 2011-04-09 to 2011-07-09
Serialization: Bessatsu Shounen Magazine
Score
3.0
5 Votes
20.00%
20.00%
20.00%
20.00%
20.00%
0 Reading
0 Want to read
0 Read
Summary
Oota Toshihiko is a meek 7th grade boy who's teased for having an unnaturally hairless skin. Meanwhile, his female classmate Gotou Ayako suffers from having unnaturally hairy skin which she must shave everyday, despite being terrible at shaving. One day, Oota accidentally walks in on Gotou shaving, and is then roped into helping his hairy classmate shave.

(Source: Hox Scanlations)

Included one-shot: Choujou Eyes Sawada (Paranormal Eyes Sawada)
Tags
shounen
Reviews (5)
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Sweet Poolside review
by
dolfinkiller12
Apr 12, 2021
While reading Shuuzou Oshimi's popular Flowers of Evil manga, I took a look at the rest of his works and noticed recurring themes of adolescent sexuality. Some premises had more of a... questionable nature than others, and after sharing a few with a friend we each decided to read a different one volume work from the author. Curious if the rest of his works would have the same nuance and tact as Flowers of Evil, I decided to give the most absurd premise a shot: Sweet Poolside, a manga about a hairless boy shaving a hairy girl. And thus, my life sank further into the abyss.

The manga's largest issue is not its controversial subject matter, but rather its lack of focus on the motivation behind it. In stark contrast to the Flowers of Evil, Sweet Poolside doesn't use its premise as a means to share philosophy with any depth. For the most part, this is an atypical framework for a typical romance plot. It's organically cute in how embarrassed the two main characters are of their bodily problems and how they learn to support each other in the way that only they empathetically can. This relationship and also the characters' contemplation of their own self-consciousness are the highlights of this coming-of-age story, but what could be further detailed is covered with an overgrowth of hairy exposition. The shaving scenes are given far too much attention to the point where they almost seem fetishized, and as a story element they rarely serve any point other than to demonstrate the boy's nervousness and the girl's shyness. The only point of this is beaten over your head as these scenes are dragged out for far too long. The initial shaving scene was the only thing that needed to be shown in full, and after this the manga should've focused solely on the characters growing up now that they've found someone else to trust. This element is there, but buried under this worn, dull razor blade of storytelling. Seeing multiple pages of shaving and only one of the main female character reflecting on what that meant to her is kind of lousy and a waste of a possibly pure-hearted intent by the author.

Beyond that, the art is decent but frequently cartoonish in a gag manga-esque way rather than the detailed realism of Flowers of Evil. There's also a one-shot manga chapter included in this release entry, but I can't find it anywhere. Fine enough, I suppose, as MAL grouping unrelated stories is stupid anyway. If that bonus chapter exists, please let me know.
Sweet Poolside review
by
Gin-iro13
Apr 12, 2021
It's crazy to think about how it all started for Shuuzou Oshimi. Before works of deep psychological content like Aku no Hana, Chi no Wadachi and even his most recent manga, Okaeri Alice. Shuuzou Oshimi did some pretty .. curious manga. It serves, on the one hand, to see the evolution of his art, themes chosen to approach and characters, and if it were to put a current work and a work like Sweet Poolside side by side, it would be difficult to believe that it came from a master of psychological horror.

Speaking of an aspect that has changed a lot, his choice of themes, in manga like Sweet Poolside and another called Avant Guarde Yumeko, both have addressed many futile themes. In Yumeko's case, clearly in a tone of joke and satire, Poolside has a bit of that joke in the middle, however, it is still a proposal applied in a standard way, without satires. And what is your proposal? Well, there are two protagonists, a boy named Ota, who is in his adolescent phase but does not grow any hair on his body, resulting in becoming a joke of his colleagues giving him nicknames and wanting to touch him. The other protagonist is a girl named Gotou, who is the opposite of Ota in this aspect of ... hair; Gotou has hair on various parts of her body. Aware of this, both abhor the existence or non-existence of hair on their bodies and soon their paths cross, with this, Gotou convinces Ota to shave her body, advancing more and more in phase. A futile topic, with nothing to be properly explored, you can’t charge or expect anything from reading, very weak. Most curious not only of Sweet Poolside, but like the manga of the time, they tended to have a strange sexualization in the face of these futile themes like hair removal and it is something that made me very uncomfortable. In the final chapters it tries to build a kind of cliché drama but with a theme like this it is impossible to take itself seriously. But a positive point, although small, was the comedy of Sweet Poolside, it was a side of Oshimi that I had never seen before and I could have a good laugh.

Another aspect that has had a great change is the art, certainly the work that can be noticed the biggest change is in Aku no Hana where there is clearly an exchange of drawing strokes and use of them, but here we have the standard art of Oshimi from years ago. No gibberish, no details, no style that helps in setting the manga. A lighter art, but without the charm of today, and without its own characteristics. As it did not address psychological and heavy topics as today, I do not see art as terrible, but it is very weak even individually.

The characters are a mixture of irritants and some without grace, the protagonists do not aspire to charisma, Ota followed the pattern of Oshimi in the sexualized time of his manga, a boy discovering himself and the like, but not in a profound way as nowadays, but in a very average way and still with these themes that do not help. Gotou gets involved in a decision to share her love with the boy who shaves him and a boy he talks to during swimming lessons who seem to have some contact, but she is a very weak character. There are other characters that help in the plot, but more to ridicule Ota and rub in our face the motivation for his anger with his body, like Sakashita who constantly wants to touch Ota, Nakayama who is a complete sucker and leaves Ota naked and shows publicly his absence of hair and his parents who are not so supportive, constantly mocking his son. There is also Ninomiya, Gotou's love interest, but he has the same pattern of dialogue so he is boring.

This manga is to show how Shuuzou started with low quality but evolved into a great manga, the manga is horrible, but I was happy to read and see the evolution that my favorite mangaka had.