While seemingly a commentary about the American military presence in Japan, Tezuka's MW is a rather silly thriller, although refreshing in its unromantic focus on the sociopathic Yuki Michio. The principle influence behind the infamous Johan from "Monster", Yuki is a troubled but seemingly emotionless killer and manipulator. He seems to have only one real human connection, to Father Garai, a Catholic priest who tries in vain to resist his forbidden relationship with our pro/antagonist. The frank depictions of homosexuality (and sex in general) are refreshing, providing character development without seeming over-the-top.

What I found wonderful about MW was its lack of preachy morality. Every character is as they are, and there are no tiresome monologues. Garai, the closest thing to a "hero" in the manga, lies to himself and seeks solace in a God that doesn't seem to care. Yuki seems charming and kind for pages at a time, before reminding you again of his true face. Is there a greater purpose behind the crimes he commits? Although not entirely surprising, the path he takes is interesting enough.

While an interesting character sketch, I cannot say much for the story itself. Machinations and dramatic events often seem forced and unrealistic, compared to the more carefully plotted mysteries of "Monster".

The art is obviously delicious, with the breathtaking hatching on cityscapes being my favourite. Although decades old, the style serves its purpose.

I would recommend this work chiefly to anyone interested in where Monster got its inspiration. I bought this manga for that reason, and enjoyed myself thoroughly.