Aku no Kyouten

Not to be confused with GTO!

Lesson of the Evil had everything to please the seinen fans with a dark and bloody story and yet…

A promising start
The manga starts well even very well. The main character - Seiji Hasumi - is a competent English teacher. He takes care of a difficult class like in GTO but do not be fooled! Hasumi has nothing to do with the famous Onizuka.

Annihilate whatever the method is!
Behind his appearance as a kind, talented and attentive teacher hides a real psychopath. Thus in the first volumes, we witness a strategic fight to bring down all those who would stand in his way. Its goal: annihilate each individual and for that all means are good: manipulation, treason, murder...

Killing for pleasure and only for pleasure
The strategic aspect was the strength of the manga but, unfortunately, this aspect was diminished with each volume. The rhythm accelerated during the last volumes illustrating perhaps the madness of the character but I think it made lose the thread and the interest of the manga: the strategy and the manipulation.

Not convinced... Watch the movie!
Adapted from Yusuke Kishi's novel which strongly inspired the manga, the film was released in Japan in 2012. You certainly tell yourself that this film is not worth watching like most adaptations and yet... The film sums up the manga well. If the story quickly turns into a massacre, the performance of the main actor - Hideaki Ito - is worth to watch. His dark humor and charisma make him the perfect psychopath.

In summary
Lesson of the Evil is a short manga since it includes a total of 9 volumes. If the potential was here thanks to the beautiful drawings, the dark universe and the charismatic and detestable main character, the manga changes it dynamics towards half of the story. As a result: manipulation is replaced by massacre, there are no other words... Too bad.

You and I both know when going into a manga like this that it’s going to be stupid edgy, stupid trashy, that a lot of murders will be stupid to up the headcount. These are not reasons to shame. You don’t go to a nightclub and complain about naked bodies. But is “Lesson of Evil” (oh my god, the naming) stupid overall, as you’d expect from a story about a sexy serial killer? It is unrealistic, sure, it is corny, maybe campy, occasionally cringey, but stupid? I think no. I even gained new ideas and cultural knowledge out of reading it, which both confounds and amuses me to a great degree. You shouldn’t read this if you have a strong emotional response to the topic of school shootings though, as the main issue of this work may be its gratuitous violence in later chapters.

I dropped Aku no Kyouten once. The thing I overlooked then was that it is not episodic, bullshitting its way from one magazine issue to another, as I thought, it is based on a book (which was also adapted into a movie). Thus it has a finished story with a proper composition: two distinct halves and a lot of broken reader expectations. Because of the latter it is not humanly possible to explain what this manga is without some spoilers, and it’d be better if you went in blind… but if you wish to read this further, I promise to reveal things gradually at the very least.

The manga starts with a sympathetic handsome English teacher Hasumi Seiji, nicknamed Hasumin, getting a whole class of troubled schoolkids under his black wings. The children have so many issues, so their sensei and counselor tries to help. It just so happens he is able to murder without remorse, and uses this to resolve the gravest of woes. During the first few chapters I fully expected this to be a school version of Dexter, with a psychopath solving people’s problems because he tries to redeem himself and/or contribute. I stopped reading when Hasumin acted rashly to get one of his students into bed. There were other issues too: unevenness of the art, which falls off model periodically, deeply stuck in the uncanny valley between godly and ugly; overdramatization of the school setting; Hasumin doing silly “cool” stuff like breakdancing… Based on my experience with overwhelmingly poor writing in psycho killer manga I fully expected the love subplot to be shoehorned purely for titillation and didn’t like an astute character acting stupid.

And now I wonder why. Why did I expect an unhinged murderous psychopath to be sacrificial for the sake of a higher goal? I guess popular fiction has us trained to expect high levels of reason from psychopaths in the main cast, if not outright protectiveness towards neurotypicals. But why? Why would someone with a diagnosis that indicates total egoism, recklessness, lack of fear, and sensation seeking strive for anything other than self-gratification? A psychopath cares about him/herself, seeks pleasure for him/herself. So it’s actually logical that Hasumin takes a risk to get some. He simply wants the sexu, and he wants to show off, because he is vain. This is good writing, not bad one. He shits where he eats too, sure, cause he doesn’t care, is overconfident.

Aku no Kyoten plays with this a lot. Hasumin is attractive and charismatic, loved by people around him. His opposition is ugly, stupid, lame, hated, has a bad personality. Hasumin pays attention to his students, teaches well. Most importantly, we follow him. You constantly expect good things from him against the logic. The manga teases the readers with his past: an understanding mentor, some human-looking connections, righteous revenge. You excuse and excuse.

Hasumi is clever and bold, successful in his endeavors. As the time goes by, he indulges a bit too much though, the lies accumulate. Just when you start to think that Hasumin is a perfect machine, his – technical – humanity catches up somewhat. The school setting reminds him of his formative years, wakes up memories. His mind shows subtle cracks. Plus the kids constantly get under his feet, little shits just can’t shut up and stay away from places they shouldn’t go to. One very unfortunate day Hasumi slips and snaps. The poor guy gets a big problem on his hands. And Hasumin deals by his favorite method.

I returned to Aku no Kyouten knowing only that the second half is “depressing”, according to internet commenters. I am thankful for this. But the main turn definitely needs a content warning, and it changes a lot in the manga, so further I will spoil the general plot progression again.

Hasumin has a lot of work after that, but he is super, so he manages. He drinks some coffee, stretches a bit, and then goes to do exactly 10 chapters of extreme manslaughter, during which he muses about his supper, plans how he can get sex afterwards, and makes a ton of English-Japanese puns. We mostly follow his victims though, as the manga turns into a full-scale survival.

The violence is indulgent, there’s no way around it. That’s why the movie was heavily criticized, especially because of its similarity to real life scenarios. But in manga we are freer and have seen worse. One thing I love about this part, besides the whole suspenseful hunting game, is that Hasumin gets hit in the face, and swelling robs him of his deceptive handsomeness. It immediately changes the way you perceive the character, which is so saddening and telling.

Aku no Kyoten begins with the flashy lyrics of Mackie the Knife the main character likes to whistle. It takes you aback how straightforward it is for a murderer and for a manga about murderer. But as the plot progresses you notice it follows the song somehow. As Wikipedia puts it, Aku no Kyoten has a lot of references to “German culture”. It often cites The Threepenny Opera, to be precise.

The Threepenny Opera, apparently, has an interesting history. At one point characters in the manga notice and tell Hasumin that he whistles Moritat, but he says he whistles Mack the Knife, the jazzy Broadway version. Hasumin may prefer the version popular in the US because he teaches English and loves the US culture, but it is also melodic and pleasant, as following the footsteps of Macky is fun to the character. The word “moritat” makes you think about Brecht’s music drama, which was a dirtier angrier political critique. This manga is fun to read through, with its showy main character, sex, gleeful murder, and nonsensical scheming, it’s a pop grindhouse flick through and through. But it also works as a cautionary tale, because for all its absurdity, people like Hasumi get away with worse things all the time, and the society allows them to thrive through its cowardice and petty squabbles. There are positive characters in Aku no Kyouten, but the world is immoral and hilariously broken, so they aren’t doing great, the evil triumphs just like in The Threepenny finale, sorta. Most importantly, I like how this manga breaks the image of a cool reasonable psychopath we’re dangerously overfed with.

Speaking about cinema, the art here evokes complex feelings too. I’ve checked several other works by the artist – and they are much simpler, lighter in linework. He sure went all out with the level of realism and the heavy lighting for Aku no Kyouten. It’s hards to tell the girl characters apart, the anatomy suffers as much as Hasumin’s victims from time to time, but the backgrounds reach a very high level by the end, and Hasumin is always easy on the eye, but stimulatingly creepy. When I wondered whether Aku no Kyoten was exploitative with its depiction of violence, I looked through types of exploitation movies, and giallo felt similar in feeling to the art here, though the panelwork in this manga is rather bland. It’s a spectacular pleasant art nonetheless.

I can’t say Aku no Kyouten is for everybody. I was likely in a unique position to enjoy it. I expected the worst, I was on board with suspending my disbelief AND disgust for the sake of slightly unhealthy entertainment. I was ready for something pandering, discordant, and controversial. I am fairly forgiving towards B-grade stuff. I ended up with a fascinating meta-commentary, a self-reflection séance, a bad boy, a couple of sweet kids, and a lot of murder, which for me feels like a catch. The author of the original wrote Shinsekai Yori, by the way, so there’s hope I am not fully projecting.

Aku no Kyoten is not high art, it is a shock content school slasher with a handsome scheming killer dude – it’s not something you enter in a suit with a bow. But it has richer sides to it, it laughs at you if you try to be fully mindless when reading. It’s also a music show by its heritage. The main character whistles Mack the Knife when he’s happy, a song called Karn Evil 9 is introduced at the turning point of the story (oh my god, the naming). But if you’re a dirty pleb like me you can also put Pumped up Kicks by Foster the People on your speakers, take your metaphorical pants off (or real, ffs), grin as madly as you can, and dive in the fun, the awfulness, the theatrics, the thematic face slaps, and the thrill of this work.

WARNING: No explicit spoilers, but details hint at the vibe and cohesion of the plot.

Aku no Kyouten appears unique at first, but all-too-familiar, as well. The drama is built up steadily, and as the pieces start to come together and characters are developed and expanded upon, you really start to feel like the stakes could hardly be any higher. Unfortunately, the conclusion is anything but satisfactory, or earned. All wildcards built throughout the story are abandoned, all loose ends are dealt with in a flurry of rushed violence that gradually blends together and makes you wonder why you stuck around for 9 volumes.

The art for this manga is very pleasant. Eiji Karasuyama's art walks the line between pleasant and eerie at times, and it suits the story well - at first, anyway. The characterization is also built well enough, and the core characters the story seems to revolve around are given the building blocks for good development, though not enough work was actually put in beyond that.

Overall, this manga is suffering from an identity crisis. It doesn't know if it wants to be a nail-biting psychological drama or a gratuitous slasher, and unfortunately the compensation between the two is a plain division in the middle of the plot, right when things start to heat up. The escalation feels rushed and unearned, as if the mangaka wasn't sure how to end the story. Don't get into this book if you're looking for a thriller that delivers, OR a slasher that gets to the point in any reasonable amount of time.

_SPOILER WARNING_

So basically this story is about a homicidal sociopath who has somehow managed to become a teacher. Interesting.

The story itself is handled well, it isn't outstanding or anything though. There's no intense psychological aspect to it as of yet and I think since we're about a third of the way through the story at this point there won't be any of that in the future. This story is your average Japanese crime thriller, the kind you would find on Netflix or whatever else streaming services you use. In fact, It has a movie and I'm pretty sure the movie is what spawned the manga rather than the usual case of the manga spawning a movie.

This manga so far has only one flaw that I find extremely weird. It doesn't completely ruin the story for me in any way but I just find it dumb, there is no reason for it to have happened. The author just needed to push the plot along. This is where we get into spoiler territory. So be warned

So after our beloved MC does his thing and kills school staff and students, The students all of a sudden get this sneaking suspicion that the MC is the one who is behind all of this. Now, this is weird to me. The MC up to this point has actually been nice and even lenient towards students who are disrespectful to him.

I really don't want to get into all of this because it would take me ages since I am illiterate and incapable of weaving my reviews together in a way that doesn't sound like the most long-winded rant ever so I will do my best to do a condensed recap

Student 1 who is basically the class ass and delinquent is cheating on tests

MC finds a way to jam the phones in his classroom during tests to stop the cheating

Delinquent dude now hates the MCs guts and is paranoid about this despite having no reason at all to be other than the fact that he hates MC for petty reasons

now fast forward a bit and this entire thing evolves into the delinquent thinking that just because the MC stopped him from cheating that he must also be the murderer and things just get even more nonsensical from there after managing to convince a bunch of other students of the mc being the killer

I don't find this too bothersome and it doesn't ruin the story for me or anything, but I think it's a rather big flaw that should be addressed. It just seems very, abrupt, for the lack of a better term.

Other than that, I love this manga. It's great, there's not much to it other than the MC trying to murder people. It is what it is and you shouldn't expect any more from it than that honestly. It's nothing more than a short thriller and it doesn't try to be anything else, which I think helps it in the long run.

It get's a solid 7/10 from me

tl;dr: A story about a psychopath teacher acting like a psychopath and... that’s it. 

This manga starts off feeling a bit like a story about a teacher that uses irregular means in order to help his students but truly does have the goal of helping his students, kind of like a darker version of GTO. However, it quickly becomes obvious that isn’t the case at all and that the teacher is simply a horrible person that only cares about himself and only manipulates things for his own pleasure. To a degree there’s at least something kind of interesting there in that the manipulations do have some thought put behind them and do proceed in a pretty intelligent manner.

However, at some point things jump the shark and the teacher simply resolves everything through murder, at which point it's revealed that he’s already killed quite a few people before where the manga began. Once this happens there’s very little thought to most anything. There’s some manipulation and intrigue, but it’s pretty weak and really not enough to hold up the manga. It’s basically just a B-movie horror flick. Such stories do have value, but here with the killer being just as focused on as the victims the whole dynamic didn’t really work and largely it felt like there was supposed to be something more but just wasn’t.

I guess to a degree the narrative tries to develop the teacher’s character as well as some of the students characters, but in the end none of them felt like they had enough to them. The teacher is a killer so he’s a terrible person and thus hateable to a degree, and the students didn’t do anything wrong and are hence pitiable and hence likable to a degree, but beyond that there wasn’t much and hence investment in characters wasn’t enough to hold up the manga either. The attempts at fleshing out the teacher felt especially pointless as he basically just comes out to be a standard psycopathic serial killer without any more to him. In terms of the ending, it wasn’t satisfying, but really what type of ending could be satisfying. After they've done a certain amount of damage, whether they get caught or not, does it really matter? The entire things felt like a pointless mess.