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Book reviews
Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e
Princess wa Barairo no Yume wo Miru
Embryo
Embryo
Embryo
Embryo review
Embryo
Apr 14, 2021
Embryo review
Embryo is a manga that took me by surprise, reading it blindly I wasn't quite ready for the escalating jarring experience that made me reminisce of a well-crafted Ridley Scott-ish film with a devout emphasis on storytelling. I've seen quite a few horror films, Japanese or American, and Embryo managed to surpass most of them in a mere 3 volumes. Albeit not horror per se, since there aren't any strange frightening moments that you encounter, but there is the tone of constant uncertainty and dread, mixed in with an almost innocent presence of the supernatural. Many of the characters in the manga also have a cute curiosity of the bug monsters that they are dealing with. I find this to be the most interesting, as this manga goes into extreme, borderline annoying detail in dissecting and giving us an explanation of the grotesque worms that we encounter.

In the many horror story I've seen, rarely do they go deep into detail about such monsters, the rule is the more that is left unexplained, the better we can dive into the viewer's imaginations, which is where the true horror is. But in this rare case, Embryo does an exceedingly wonderful job into giving us every, single detail of the alien bugs. Not only do we learn how they behave, we are given information on they breed, how they relate to other insects, how all their bodily functions work, how they breathe, their environment; There are parts where it becomes an entertaining textbook study on insectology, giving us their entire physiology. We not only learn about these worms, but there was a panel where it gave us an entire treemap of the evolution of insects, which I thought was very generous of the author. And it was fitting that 3 of the main characters are acutal scientists, and not not bumbling idiots who suddenly became smart.

The study of the anatomy of bugs is the true horror element in this manga. Because we know that the behavior of these bugs aren't "normal" at all, they have this connected bond with the main character, planting an embryo in her, and while the scientists scrape for a possibly explanation as to why this is happening, the eventual discovery of the bugs' evolution and growth will definitely give you chills down the spine. The storytelling here is very cohesive, strong, all the pieces of the puzzle definitely fits for the most part, given how difficult it is to write a story like this, the author did a magnificent job. A good example of the author's skills was her ability to convey the dream sequences, there were 2 or 3 dreams in the story that was horrifying, and I even mistook them to be real events.

The art in this manga can be a little perplexing, since the characters themselves have very little expressions on their faces, most of them nothing more than oval circles with 2 dots as eyes, some hair, and a mouth. This can be somewhat disconcerting given that the bug creatures are drawn with meticulous detail. Especially during the dissection scenes, where we see every organ and vein in the bug's body, drawn with extreme detail. And also not to mention the birth scene towards the end, which was one of the most gruesome and graphic birth sequences I can remember in any media.

Also like many other horror films, there is an ending that can be quite ambiguous, it isn't quite explained clearly as to how the bug creatures were stopped, or whatever the birth of the new evolved bug creature was. These does give off a sense of frustration, but maybe giving it more attention the second-time around I can pry off some answers. And since the story-telling and plot in this manga is masterfully done, it wouldn't be a problem for any manga fan, or any horror fan to be consumed in the story.


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Makai Tenshou
Makai Tenshou
Makai Tenshou
Makai Tenshou review
Makai Tenshou
Apr 14, 2021
Makai Tenshou review
Just realised that this series has no reviews. Golly it must be refreshing to be first.
Fate Grand Order's Shimosa arc brought me here. I found out that one of my favourite arcs was based off of the novel that this manga originated from. So naturally I will be wearing my bias on my sleeve. I’ll try to avoid comparisons because that’s clearly unfair.
Makai Tenshou, or its better known name Demonic Resurrection, details the adventures of Yagyuu Juubei, one of Japan’s greatest swordsmen. The story revolves around his galivanting around the countryside as Japan’s most famous historical figures are brought back to life as demons in a satanic ritual with the intention of stirring the pot and making it bad news bears for everyone around. Illustrated by Ishikawa Ken, one of Go Nagai’s contemporaries, you can expect some good old school ultra-violence to splatter across the pages.

Story: 6
I know after performing research that there are multiple different iterations and versions of the original novel. As I have never read said novel, I naturally don’t know how similar these two stories are. On that note, the story feels pretty generic. I think the synopsis I wrote earlier does a clear cut job of explaining this story’s wafer thin plot. It’s not a well written tale about the nature of good vs evil, but it is rather inoffensive and if you are expecting anything that boggles the mind, it’s nothing new. If you liked Devilman by Go Nagai, you might like this.
One of the main plot lines is that the story tries to commentate on the nature of hell, which is why the demonic ritual occurs – to pull the world of hell into Earth. I mean, it’s a nice premise and all, but the novel never really explains why the ritual is important. I know being evil for evil’s sake is a simple explanation, but there isn’t really any debate as to the benefits of pure anarchy. Looking at the ritual of turning into an immortal demon, the age old question always surfaces: Why would I not want to become a demon? I mean… immortality is a pretty good deal. The story fails to answer that question or characterise the characters in ways that explain why people shouldn’t take the easy demon route which is pretty damaging in terms of themes or whatever.

Art: 7
Now while the art is old school, I like me some old school art. There are some pages where the characters look rusty as heck, but the story does a good job of illustrating action. Like sometimes when someone swings a sword, your eyes just straight up glide across the page just to see the impact. Motion is hard to capture in a still medium and this story nails it. Backgrounds are also really good. Demonic imagery has always been a solid point. How it clutters up the sky, how the line between man and monster is blurred, etc.
Character designs on the other hand are pretty hit or miss. Juubei himself looks like Guts fused with Kenshiro. He just doesn’t seem to jell with the atmosphere of the setting. On the other hand, the demons are really outlandish. Sometimes it feels like overdoing it, like killing a man with a knife and then pouring red food colouring on the body because there wasn’t enough blood.

Characters: 2
Ooh boy where do I begin. Yeah this is not good at all. Kind of a symptom of reading series from an older time. This one in particular feels like a missed opportunity to characterise the historical figures, especially the ones that sacrificed their humanity to become demons. Which is a shame, considering the pedigree of historical figures showing up: Miyamoto Musashi, Amakusa Shirou Tokisada, Hozoin Inshun, some big wigs show up and the manga struggles to do anything interesting with ANY of them. I mean, when you bring back a pacifistic Buddhist monk back from the grave, at least work with the personality a little. Make him regret indiscriminate murder or something. There’s plenty of material to go around. Anything is better than what we ended up with. The demons kind of just show up, be evil for evil’s sake and then get their dumb asses handed back to them by Juubei. Musashi is the only one who gets any kind of nuance with his obsession of maintaining his legacy, but then it kind of flounders because it doesn’t have anything to do with the main plot.
As for the non-demon human characters, they exist to get killed. I know Juubei’s the main character, but it is kind of frustrating when every other “good” character exists for the sole purpose so that they can die to make Juubei look cooler. The regular humans are so incompetent, I kind of would rather let the demons win because in the story, being human has no benefits. You’ll see what I mean when you get to the ending.

Enjoyment: 8
Wow with all that criticism, yet it nets an 8 in enjoyment?? Well that’s because I came in with no expectations. Just pure mindless dumb fun. That’s why I used “galivanting” in the beginning of the review. Just a single dumb man monkey braining his way through demons, DOOM slayer style. Yay.

Overall: 6
Let me level here for a sec: if you came here for good storytelling, don’t get yer hopes up dude. At the end of the day, I got a fun dumb read and it made my afternoon. It was long enough to take me a while to read, but also short enough for me to finish it before I got too mad at the dumb plot and the stale characterisation.
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No Bra, No Panties, No Future
No Bra, No Panties, No Future
No Bra, No Panties, No Future
No Bra, No Panties, No Future review
No Bra, No Panties, No Future
Apr 13, 2021
No Bra, No Panties, No Future review
I tried this manga out of curiosity due to it having a really interesting title, “No Bra, No Panties, No Future”. The first impression I got after reading that title was like “what the hell is this? Is this some kind of a parody of No Game No Life? Or is it a light version of No Damage No High School Life?”. I expected something lewd and stupid random ecchi scenes to appear. Man.. was it so surprising.

No Bra, Bo Panties, No Future offers a kind of stupid joke yet it’s so touching and funny to read. It’s not an ecchi one at all. It centers on the main girl, Kanako Hidaka, who is portrayed as someone ambitious and do the best and be total to achieve what she wants. Because that side of her, she often forgets other important things. But when she comes into realization, she never gives up and tries to protect both, in this sense her vision and future, at all cost.

Beside the main girl, there are also these guys who usually play at school due to being influenced by the TV. All they do may seem too random because these guys are the main antagonists who’re also used as the tool to create tension and joke. They usually put Kanako in a worry able situation and are the main threat for Kanako’s future. Also Mi-chan and Yo-chan, two friends of Kanako, who value their friendship with Kanako to the point they will sacrifice themselves for the sake of Kanako’s future.

No Bra, No Game, No Future isn’t merely a stupid-funny manga. It does explore the value of friendship and how the TV can be so influential. It’s also about being focus on your vision and total. But what if you already tried your best and be total yet failed?, you’ll lose one, two or maybe three.
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Yakedo Shoujo
Takamagahara
Becchin to Mandara
Panorama of Hell
Panorama of Hell
Panorama of Hell
Panorama of Hell review
Panorama of Hell
Apr 05, 2021
Panorama of Hell review
This is one of those works that I'm having a lot of difficulties comprehending. I don't exactly know if I can respond to this work with my usual format. I'll give it a try, though.

Story:
There isn't so much a story as it is a conversation. It's a dialogue started by a painter who paints horrific images that are absolutely petrifying. I felt like this was a mix between Dante's Inferno and Eraserhead, where everything is symbolic and cruel. Does it make for a good story? Not necessarily, since there isn't a shred of hope, but there is a lesson, that lesson being that the world is cruel. I don't really agree with that, considering one person's life can suck and another's can be great, but even so, there are people with sucky lives who enjoy life nonetheless. So, just in that, I can't exactly connect with the mangaka's intentions.

However, one theme that is consistent is death and how indifferent it is. This I can sympathize with. Death is the great equalizer, the final occupation. The ending definitely reinforces the fact that regardless of what path is taken in life, death will arrive at your doorstep when you least expect it.


Art:
I really loved the classic, cartoony look of the art. It looked disgusting and horrid but it didn't look realistic. In that sense, this is where I feel the most 'Eraserhead' from the narrative. Everything was as if it were symbolic to the one telling the story, the painter. Everything he talked about was a painting he worked on, so every image was how he saw events as they unfolded. To this end, I found the artwork breathtaking.


Character:
There isn't much character but there's representations throughout. There isn't much else to discuss here. Again, it's all a conversation, a dialogue the reader is having with the painter. I suppose you learn a lot about the painter and it's all well and good but because of the format, we're introduced to other characters who are just disgusting human beings who have no purpose other than to make you feel disgusting.

The real focus here, as mentioned, is the painter. His character is quite strong, but some of the content is too archaic to be understood on the first read (at least for me). Does this make it bad? Not necessarily, but considering the whole work is likely a metaphor, there needs to be some grounding. If not in the setting, if not in the narrative, then at least the characters, right? Well, not so much.


Enjoyment:
I don't exactly enjoy watching people suffer. I don't think any sane individual would. However, the narrative starts out with black humor and then devolves into a dialogue of symbolism, so the suffering that takes place is... well, it's brutal, but it's bearable in the sense that there's a purpose. Is the purpose worthwhile in the end? I'm not so sure.


((If you liked this review, check out my other reviews by going to my profile and clicking the 'reviews' tab. I review virtually all anime and manga I find!))
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OUJI-SAMA TO HAIIRO NO HIBI
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